Zemeckis and Bob Gale director of photography, Dean Cundey edited by Arthur Schmidt and Harry Keramidas music by Alan Silvestri produced by Bob Gale and Neil Canton released by Universal Pictures. ''Back to the Future'' is rated PG (''Parental Guidance Suggested.'') It contains some strong lanuage.īACK TO THE FUTURE, directed by Robert Zemeckis written by Mr.
And he seems no less fascinated by the future, which is understandable. Zemeckis takes a bemused but unsentimental view of times gone by. One of the most appealing things about ''Back to the Future'' is its way of putting nostalgia gently in perspective. Even so, it still manages to end with a surprise. This, and Marty's decade-hopping rapport with the mad scientist (Christopher Lloyd) whose DeLorean he borrowed, keeps ''Back to the Future'' very busy indeed. Reagan will be President some day, he is met with a stare of disbelief and a sarcastic remark about Vice President Jerry Lewis.īut there is a danger that they will never meet, particularly since Marty's arrival has permanently altered their history.
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The town's movie theater is playing a Ronald Reagan film, and when Marty announces that Mr.
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The local soda jerk thinks anyone who orders a Pepsi Free (''If you want a Pepsi you gotta pay for it!'') is being a wise guy. The neighborhood where he will someday live hasn't even been built. Fox) steps into the specially equipped DeLorean owned by a mad scientist friend of his and floors the accelerator, he finds himself in a much simpler world. Once Marty (played winningly by Michael J. The film's observation that, in those days, a name sewn onto the back of one's pants was probably one's own is only one of the shrewd, rueful contrasts it draws between 1955 and the present day. The hero of the film is named Marty McFly, though his mother insists, when he ventures back in time 30 years, on calling him Calvin Klein. He handles ''Back to the Future'' with the kind of inventiveness that indicates he will be spinning funny, whimsical tall tales for a long time to come. Zemeckis is able both to keep the story moving and to keep it from going too far. In less resourceful hands, the idea might quickly have worn thin it might might have taken an uncomfortable turn, since the story's young hero must face the transformation of his plump, stern, middle-aged mother into a flirtatious young beauty.
''Back to the Future,'' which opens today at Loew's State and other theaters, takes this sweet, ingenious premise and really runs with it. What child wouldn't love the chance to tell the two lovestruck teen-agers who will someday become his mother and father: ''Hey, if you guys ever have kids and one of them, when he's 8 years old, accidentally sets fire to the living room rug - go easy on him, willya?'' Zemeckis has now gone himself one better with ''Back to the Future,'' about a boy who wonders what his parents were like in their salad days and is miraculously given the chance to find out. Zemeckis, together with his screenwriting partner Bob Gale, has progressed from teen-age kamikazes willing to risk anything to meet the Beatles (''I Wanna Hold Your Hand,'') to salesmen ready to peddle any form of figurative snake oil (''Used Cars'') to a timid pulp novelist who travels to the tropics (''Romancing the Stone,'' with a screenplay by Diane Thomas) and becomes her own most adventuresome heroine. THE people in Robert Zemeckis's films have the great fun of living out their craziest daydreams.
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